On year 2094, Commander James is on mission above Mars' Surface to scanning it to make a complete map of the planet. One of his two robots, D.O.R. (Discovery Optical Relay), makes a lonely journey to explore a distant mountains when it detects a strange movement of stones from the top. After D.O.R. turns off mysteriously, Commander James and the other rover R.E.X. (Relations Experiment Explorer) goes to the place where D.O.R.'s signal gave its last location. After to finding D.O.R. totally destroyed, Commander James actives his video feed to discover what D.O.R. saw just before to be destroyed, but in this moment and unknown for him, R.E.X. detects movement on a close cavern and it enters to investigate.

On year 2094, Commander James is on mission above Mars' Surface to scanning it to make a complete map of the planet. One of his two robots, D.O.R. (Discovery Optical Relay), makes a lonely journey to explore a distant mountains when it detects a strange movement of stones from the top. After D.O.R. turns off mysteriously, Commander James and the other rover R.E.X. (Relations Experiment Explorer) goes to the place where D.O.R.'s signal gave its last location. After to finding D.O.R. totally destroyed, Commander James actives his video feed to discover what D.O.R. saw just before to be destroyed, but in this moment and unknown for him, R.E.X. detects movement on a close cavern and it enters to investigate.

One of Lipsett's many found-footage films (films made up of footage 'sampled' from other films) this short uses a fairly abstract montage of shots to comment on the isolation and alienation of the modern man (1964 modern) in a mechanised society. the individual footage itself is quite amazing and the overall effect of the montage leaves one with a definate sense of unease. apparently george lucas saw this in film school and was inspired to make THX-1138. a premium example of the new hollywood film makers of the 70's technique of adapting highly experimental avant-garde films into their own relatively conventional narrative structures (see also Blow-up into Blow-out)

One of Lipsett's many found-footage films (films made up of footage 'sampled' from other films) this short uses a fairly abstract montage of shots to comment on the isolation and alienation of the modern man (1964 modern) in a mechanised society. the individual footage itself is quite amazing and the overall effect of the montage leaves one with a definate sense of unease. apparently george lucas saw this in film school and was inspired to make THX-1138. a premium example of the new hollywood film makers of the 70's technique of adapting highly experimental avant-garde films into their own relatively conventional narrative structures (see also Blow-up into Blow-out)

http://www.imageforum.co.jp/ito/dvd_e.html 　　http://www.imageforum.co.jp/ito/dvd.html

http://www.imageforum.co.jp/ito/dvd_e.html 　　http://www.imageforum.co.jp/ito/dvd.html

87th Precinct is an American crime drama starring Robert Lansing, Gena Rowlands, and Ron Harper, which aired on NBC on Monday evenings during the 1961–1962 television season.

《87%生存率》(又名《87%～我的五年生存率》)是日本电视NTV新近出品的一部女性题材剧集，由曾凭借经典名作《青鸟》获得学院奖最佳女配角奖的夏川结衣主演…

女特警狙击手宋念与队友并肩一起，与钻石押运车劫匪展开激战，特警队队长韩松雷为保护队友身受重伤。宋念化悲痛为力量，随后与劫匪枪手苏雪、奸商张貌伦展开智勇斗争，终于揭开钻石劫案背后的阴谋，并将匪徒绳之以法。

女特警狙击手宋念与队友并肩一起，与钻石押运车劫匪展开激战，特警队队长韩松雷为保护队友身受重伤。宋念化悲痛为力量，随后与劫匪枪手苏雪、奸商张貌伦展开智勇斗争，终于揭开钻石劫案背后的阴谋，并将匪徒绳之以法。